Planners who failed at life decided that if Google/Facebook/etc. succeeded in spite of a horrendously distracted working environment, then everyone should suffer -- and Corporate America (especially Tech) started shifting to Open Office Floorplans; to the annoyance of tech workers everywhere. This was sold as "more collaborative", but there's no worker with a triple digit IQ that actually buys that, and there have been multiple studies that bear out the skepticism: workers get more quiet to keep from disturbing others (and hide away in meeting rooms or with headphones to create faux privacy). But the one-size-fits-all is attractive to the small-of-mind, paired up with the financial folks that could increase population density, without fixing facilities for parking, loading/unloading or eating. And the results have been productivity killing, increased employee friction, increased illness/sick-time, less face-to-face interaction, and more start working from home or as remote as can get away with. This will go down as proof that companies that ignore management fads operate much better than those that follow them.
Anyone that says any variant of "Just ban assault rifles", "no one should own military grade weapons", or "it's not all guns, just these killing machines" shows they are completely ignorant about assault rifles, or bans. This article breaks down why you can't ban "Assault Rifles", and why it would be moronic to try.
The progressive left has fostered disinformation and sensationalized problems with evil freedom/capitalism for so long, and regurgitated it through the media/educational institutions, so much, that their kids are buying the bullshit. Thus, they keep moving further and further into loonie left land. And none exemplify that better than Alaxandria Ocasio-Cortez, a limousine socialist that won the NY Primary against Joseph Crowley: a 10 term establishment guy. While Crowley was far left Representative, he wasn't far left enough for the DNC's new generation, and so Cortez beat him out, a goes to the general, where she's a likely shoe-in, with her party platform being no less than abolishing profits, "abolishment of capitalism", abolishing prisons, and abolishing borders.
If we're at all honest (they aren't), they would admit it all revolves around original intent of the 14th Amendment, and what it meant by "Jurisdiction", but the Chief Sponsor of the 14th Amendment (Jacob Howard) put the clause so that (to quote him), [The 14th amendment] will not, of course, include persons born in the United States who are foreigners, aliens, who belong to the families of ambassadors or foreign ministers accredited to the government of the United States. Who are you going to believe, the Sponsor of the 14th Amendment, or the FakeNews outlets like NYT, CNN, and so on?
As the director (Nick Searcy) said, "There are three aspects to this story that are fascinating. What happened; why it was allowed to happen; and why no one wanted to talk about it after it happened." So no matter what side the Abortion issue you come down on, and whether you support Roe v. Wade or not (I'm pro-choice myself), this was a fascinating story on how much the "abortion at any cost" crowd allowed, in the name of their agenda. Since I value truth more than a political agenda, I found it very worthwhile, I suspect many that put their agenda above bad behavior will hate the movie.
The Mule is a LATE 2018 American crime film (that I saw in early 2019), produced, directed and lead acted by Clint Eastwood. The move is based on The New York Times article "The Sinaloa Cartel's 90-Year-Old Drug Mule": a true story an octaganarian World War II veteran who became a drug courier. Clint does a good job of sort of the early Breaking Bad type amoral anti-hero, someone you kind of want to sympathize with, and sort of like, but is a bit of a self-centered dick, with a lot of regrets in life.
Michael Moore. The original movie (back in 2007 or 2009) was called "Shooting Michael Moore", an edgy title that played on him video shooting others. This somehow got repackaged in 2018 as an Amazon Original, "The Un American"... I think a little moore material was added (pun intended) -- the Internet was semi-scrubbed of the original release, so I'm not sure how much of the original project got trimmed and how much was added. But the latest cut is interesting and worthy of watching.
Bosch is an Amazon Original TV Series (started in 2014), that's one of the best crime-drama shows of the last few years. My wife and I binged watched 4 seasons in about as many weeks. Basically, it's very old school, and predictable in some ways: tough guy Harry is ex special forces, the veteran detective, who sometimes bends/breaks the rules... but over time, you learn that he's fairly ethical outside of a few shortcuts, and is trying to right the wrongs of the world, because he was brought up as an orphan, after his prostitute mom was murdered, and he was stuck in the system.
Searching is a 2018 American thriller film that came from the Sundance Film Festival (Jan 2018), and went into limited release (like only 9 theaters?) recently, and will be one of the most memorable movies of the year for me. As a thriller it's pretty good (not great) story about a father (John Cho / Harold of Harold and Kumar), trying to find his missing teenage daughter, with the help of a police detective (Debra Messing). What makes it fresh and interesting is that it's a story about a Dad learning about his daughter through her social media and computer accounts, and is shot from the point-of-view of watching someone's life play out via Social Media. So everything is seen through the computer screens/windows or smart phones (video chat, video and news clips, search results, and so on). This isn't as disruptive as one might think, at least for people that are used to doing this stuff regularly. I'm not sure I'd want every film shot in this style, for but this one movie it worked well for me, and my wife -- and wasn't disruptive or disjointed at all. It made it fresh, with good enough acting and story to get a 91/86 on rotten tomatoes -- and I felt it deserved more than that, just for a unique take on a well worn genre, as well as the messages contained within.
Dinesh D'Souza's latest movie is "Death of a Nation". And it perfectly exemplifies the bias in movie reviewers. Rotten Tomatoes Score: 0/90. Not a single reviewer liked it, 90% of the audience does - and that shows how of our touch or biased the reviewers are. Remember, this is the first of his movies to open in over 1,000 theaters, and his documentaries easily out-earn most (usually putting him in the top handful of documentaries of all time).